The second half of the book starts by building on the groundwork of the plot and characters, and wrestles with concepts of masculinity and what it means to be a man, what space there is for men to experience depression, what men are or are not “allowed” to be, and and opens wider to some of the alt-right themes, although the way these ideas are dealt with could be a mixed bag at times. For example, there’s a recurring presence of a refugee father and his young daughter, who are held up bey a foil to the narrator away at the Center and his own daughter at home. The narrator seems to focus on his failure to protect his daughter, and those feelings are magnified by watching Blue Lives, the aggressive cop show putting everyone in harm’s way and allowing horrendous violence and revenge to be taken by criminals and cops alike. Blue Lives is a fascinating device in and of itself – the cops are crooked and unsympathetic, yet have a code in which their violence is seemingly only exhibited on criminals and those involved in the underworld, while the brown criminals seem to be targeting civilians/women and children, though for the narrator it isn’t shown, just alarmingly and threateningly teased.
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His application stated that he wants to do research on the subjectivity of lyric poets, but his own self falls apart birli his stay turns into a disaster: He is confronted with the Center's oppressive policies of transparency and openness, disturbed by the destiny of a cleaning woman who was tormented by and working for the Stasi, haunted by the recurring sight of a poor refugee and his daughter, and when he finally ventures into the heart of the city, he meets an madun-right activist who plays with his mind - or doesn't he?
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It's a weird story, but it's a powerful one too. Even if the plot is too strange for your taste, by the conclusion of the novel you will appreciate the books' qualities. High four stars, and I wouldn't be surprised if I go up to five birli I digest it further.
To get to that point, you—the reader—will need to go through a maze, embedded in the mind of a mentally unstable narrator.
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Cowed, our narrator, who is fully aware of his own inability to speak against this bullying man, hides in his bedroom, watching episode after episode of Blue Lives an America show about cops gone 'rogue' and Burada operate under a 'violence begets violence' mentality which sees them torturing and killing criminals.
Kunzru’s prose is limber and immersive, and kept me close to the story even when I thought I lost the plot and misplaced the premise. The more dire our narrator’s mood, the more mired in the murky past and his fear of the future, the more amorphous the storyline was to me.
There is wanting to be alışılagelen and useful, to be better (I could simulate normalcy with a high degree of precision.
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But the residency does derece go bey planned. Firstly, he yaşama’t settle to his work and begins binge watching a violent TV crime dram, Blue Lives, and he quickly comes to the conclusion that there are hidden messages in the dialogue which makes regular reference to obscure literary works and seems to be promoting a nihilistic outlook on life. Secondly, the Center is in Burada Wannsee and close to the villa where the Wannsee Conference was held (where Reinhard Heydrich proposed his Bitiş Solution to the Jewish Sıkıntı) and, although the stated aims of the Deuter Center seem directly opposed to this kind of thinking, our narrator quickly becomes concerned at the level of surveillance and the general takım up.
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In Red Pill we follow a main character who saf won a scholarship at a German research institute to Burada write about Romantic poets. He hails from New York and leaves his human rights lawyer wife and young daughter to go to Europe for a few months of undisturbed work.